BEYOND had a successful outdoor premiere at the Oerol Festival on Terschelling. We kicked off with the islander opening as a try-out, followed by no fewer than 14 sold-out performances during a radiant edition. It was an intense and unforgettable experience.
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The press was also full of praise. Here are some highlights:
"What makes BEYOND so beautiful, besides the thoughtful dramaturgical structure and the impressive acrobatic work, is the interplay between the performers themselves and their caring attention to the audience. In BEYOND, they test all, truly all, the possibilities of their objects, their bodies, and with that, my imagination as well." – Evelyne Coussens, Etcetera
"They perform the acrobatic, swirling stunts with apparent ease. Together, they build a sculpture of bodies, throw themselves from great heights on ladders into each other's arms, and make the audience dizzy by swinging above their heads. The interaction with the spectators is delightful; they look at us as if to say, 'everything is going to be alright'." – Kester Freriks, Theaterkrant
"If you build bridges, you find the other and achieve goals you never thought possible." – Joost Goutziers, Brabant Cultureel
“Later, straight ladders are added, with which the performers form a hexagonal prism and climb it, purely by keeping each other in balance. It is a wonderfully beautiful moment of calm before building toward a spectacular climax. With BEYOND, Circumstances has once again landed a major crowd-pleaser.” - ★★★★ – Filip Tielens, De Standaard
In addition, a lovely video report was featured on Omrop Fryslân: watch the segment here.
We are incredibly grateful for the many encounters and reactions during this kickoff and look forward to the continuation of BEYOND both at home and abroad. More information and tour dates: https://www.circumstances.be/productie/beyond
EXIT has been selected for the Edinburgh Festival Fringe and will be performed in Edinburgh in August 2026. An intense, physical performance about balance, risk, and connection.
In March 2026, our performance BEYOND toured throughout Switzerland as part of the Steps Dance Festival. With 19 performances, including the Swiss premiere, we played at ten diverse locations—from small mountain villages to urban settings. We reached a wide audience and were featured multiple times in the press and on the news. An intense and connecting adventure full of encounters.
The WijkJury at Zwolse theaters—a diverse group of local residents from Zwolle—attended and analyzed several performances. Ultimately, GLORIOUS BODIES was crowned the winner.
BEYOND had a fantastic first summer tour. Rain, wind, heatwaves, pigeons, wasps, barking dogs, and even power outages couldn't stop us – we proved to be Circumstances in every sense of the word.
For the 23rd edition of DansClick—a national theater tour for emerging dance and movement talent—Piet Van Dycke was interviewed by Hasan Gök. The portrait video was created by Conni Trommlitz and screened after the performance.
Circus dance, music theatre architecture, and global mime. Piet, Timo, and Elias. These are the names of the three new, completely original creators who are enthusiastically starting a three-year PLAN trajectory this spring.
ON/OFF premiered at Festival Boulevard and was performed at Festival Spoffin and Festival Circolo.
Rehearsals for our new production BEYOND are in full swing! This new creation will premiere in June at the OEROL Festival, followed by a summer tour across various festivals.
In December, the doors of EXIT traveled over 10,000 km and ended up in Hong Kong with our performers for an unforgettable experience: three weeks, twelve shows, special encounters, and a serious case of jet lag.
We are starting a new partnership with the international distribution agency Aurora Nova, which will support us from 2026 in the global distribution of EXIT.
As of 2024, Circumstances is part of deRUIMTE: a research and creation space at the Scheutsite in Kessel-Lo.
'I think this performance can be an encouragement for older people who might feel like their life is over.'
Rolls, somersaults, lifts, steps, handstands, up and down... GLORIOUS BODIES performed for the Wetteren audience. Hear what impression it left on the spectators in this Confessional video by De Zendelingen.
The jury considers EXIT the most exciting circus performance to be seen in Flanders last season. It is easy to understand why it became such a hit with the general public: as the tempo and music build, you find yourself increasingly on the edge of your seat. Wonder reigns, but it never feels superficial. This work leaves us genuinely curious about what else Van Dycke has in store as an up-and-coming circus maker.
On a sunny afternoon, acrobat instructor Aurelia Brailowsky, dancer-acrobat Det Rijven, choreographer Janni van Goor, and juggler Sander De Cuyper gather in the courtyard of Limerick to discuss a sensitive topic: aging.
Read the full article by Mahlu Mertens in Circusmagazine #75 (June 2023).
Choreographer Piet Van Dycke doesn't care for labels. With his innovative blend of dance, circus, and acrobatics, Belgium and the Netherlands have gained a new audience favorite. "I'm not interested in tricks, but in the journey toward them."
Interview in De Standaard, by Charlotte De Somviele.
‘EXIT’ premiered at the Krokusfestival in Hasselt, immediately earning several glowing reviews.
At the Krokusfestival in Hasselt, a children's jury voted for their favorite theater performance. EXIT was chosen as the winner.
After two cancelled editions, the Oerol festival has lost none of its appeal. Once again, the Dutch Wadden Island is showing its best side, with site-specific theatre in dunes, forests, and barns (and sheep right next to the stage). On June 10th, we premiered the site-specific version of EXIT at this beautiful festival.
We’ve kicked off the year on a high note. At the beginning of January, we were in residence at Cirklabo, located in the iconic Predikherenkerk.
"Danshuis" is a program about dance that focuses on a different dance house in each episode. During the various lockdowns, these dance houses were the only places where dancers and creators could still work and come together. Hadassah De Boer meets the creators who, despite the lockdown, continue to create new work. Episode 4 focuses on Club Soda.
