GLORIOUS BODIES
Circus history archived in the body
GLORIOUS BODIES is a physical, moving, and hopeful circus and dance performance about the resilience of our bodies, about seeing and being seen, and about the boundary between classical and contemporary circus, featuring six acrobats aged 57 to 69 with backgrounds in classical circus. Circus history archived in the body.
Aging is still a taboo subject in our society, and even more so within the circus world. Much like elite athletes, most acrobats stop training intensively after a certain age. How do the most perfect bodies transform? Can you ever make peace with your own body? Can you be in complete harmony? GLORIOUS BODIES sheds a unique light on the aging process. Something that happens to us all, right now, in this very moment.
The performance is rooted in partner acrobatics and movement. It breaks through clichés surrounding the older generation. An impressive, charming, and humorous performance that shows what humans and the human body are capable of—and clearly, there is no age limit on that.
Credits
Concept, choreography: Piet Van Dycke
Performers: Winfried Deuling, Astrid Schöne, Det Rijven, Thorsten Bohle, Paul Griffioen, and Johannes Fischer
Music: Kris Auwers
Installation: Arjan Kruidhof
Dramaturgy: Marie Peeters
Costumes: Oona Mampuys
Lighting design, technical: Casper Van Overschee
Production management: Sam Cunningham
Production: Circumstances
Co-production: PLAN, Festival Circolo, DansBrabant, Cirklabo, Circuswerkplaats Dommelhof, PERPLX, Perpodium
Special thanks to: Miramiro, Destelheide, Wybren Wouda
Supported by: the Flemish Government, Grensverleggers/deBuren (a scheme supporting cultural collaborations between parties in Flanders, the Province of North Brabant, the Province of Limburg, and the Province of Zeeland)
Quotes
★★★★★ - Frens te Kiefte, Circusweb
Five stars for ‘GLORIOUS BODIES’, a show that endlessly captivates fans of both classical and modern circus. Do aging performers still matter? The pure execution, intense synergy, and acrobatic mastery make any doubt about the answer to that question completely unnecessary.
Margot De Grave Loyson, e-tcetera
The standing ovation and minutes of applause are a testament to the beauty and power of a performance that leaves audience members of all ages deeply moved.
Joost Goutziers
The acrobatic stunts are outstanding. They are higher and riskier than expected. On top of that, Glorious Bodies is captivating and moving, thoughtfully designed, and very strongly choreographed.
Wijbrand Schaap, Cultuurpers
I was deeply moved. Here we see people who refuse to give up, but who no longer have to hide how difficult the work is for them. You can feel the admiration the choreographer has for his performers and notice how intensely they enjoy the performance.
Tuur Devens, Theaterkrant
The joy of performing shines through. The four men and two women proudly and happily show what their once-perfect bodies have transformed into, and that this can evoke both admiration and wonder. They keep playing, they keep enjoying their performance. For an hour, they were able to shine—virtuosic and fragile all at once.






