What makes BEYOND so beautiful, beyond its thoughtful dramaturgical structure and impressive acrobatic work, is the interplay between the performers themselves and their attentive care for the audience. In BEYOND, they test every single possibility of their objects, their bodies, and, in doing so, my own imagination.

Later, straight ladders are added, which the performers use to form a hexagonal prism that they climb, relying solely on balancing one another. It is a beautifully serene moment before the build-up to a spectacular climax. With BEYOND, Circumstances has another broad audience hit on its hands.

The proud sense of relief after a successful stunt is just as important to the performance experience as the magic of the daredevilry itself.

They perform their acrobatic, whirlwind stunts with apparent ease. Together, they build a sculpture of bodies, throw themselves from the top of a tall ladder into each other's arms, and leave the audience dizzy as they swing around above their heads. Their interaction with the spectators is delightful; they look at us as if to say, "everything is going to be alright."

It is a highly energetic piece, in which the acrobatic elements become increasingly complex through the exploration of new ways for the performers to interact with the structure. To go Beyond, the group's collaboration is essential.

When you build bridges, you connect with others and achieve goals you never thought possible.

Homogeneous yet diverse, highly professional yet completely authentic. Beyond, choreographed by Piet Van Dycke, transcends boundaries.

It is a true ode to creativity. Leave it to Piet Van Dycke to start with ladders and end with the most fabulously imaginative inventions.